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I would argue much same is true of, say, The White Album by The Beatles, albeit to a lesser degree. You forgive the faults (no matter how severe) in order have the dizzying highs. The obvious challenge to this opening salvo is to ask how an album with ‘some really low moments’ (and they are, trust me!) can be a genuine Top 5 album? Well, put simply, the best moments are some of best song rock songs ever recorded and the weaknesses simply become part of the tapestry that make the album what it is. But, these are dwarfed by the amazing results of an artist living right on the edge of what was possible. It shouldn’t come as any great surprise that the result contains some really low moments. This is how Electric Ladyland sounds sixteen insane songs with every thought recorded, every style, flavour and colour chased after, and every mind-bending drug experimented with.
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However, if Electric Ladyland shows us anything, it is that Jimi Hendrix (and indeed supergroups more generally) are rarely truly satisfied with “tightly controlled” music. The Jimi Hendrix Experience’s first two albums, “Are You Experienced” and “Axis: Bold As Love”, were widely expansive in their inspirations yet remained relatively tightly controlled, with barely a bad song between the two, which was fairly astonishing given the experimental sounds that they expressed.